Inside the acrobatic magic of the award-winning show

Even if it delivered nothing but acrobatics, Leo would be a striking piece of theatre. The show, which won the Best of Edinburgh Award at the Edinburgh Fringe and is now being presented at Theatre Row, exists to make our jaws drop, to make us question our own eyes.

The “tricks” are even more alluring because we see exactly how they’re done. On the right side of the stage, we find Leo (played by German acrobat Tobias Wegner) standing in a colorful room with nothing but a suitcase.  Lounging around, he lies on the floor and puts his feet on a bright red wall. Later, he balances on one leg and slowly bends down to touch the floor with one hand, letting his other arm and leg jut into the air. By the time the show’s over, he’s contorted himself into all sorts of exotic shapes.

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Inside Broadway’s first autism-friendly performance

In many ways, the October 2nd matinee of The Lion King was like any other performance. The theatre buzzed with families, people sang along with their favorite songs, and the actors gave it their all.

But this show was special. It was Broadway’s first “autism-friendly” performance and the debut of Theatre Development Fund’s Autism Theatre Initiative.

Overseen by TDF’s Accessibility Programs (TAP), the Autism Theatre Initiative creates a friendly, supportive theatre environment for children or adults with an autism spectrum disorder. Because people on the autism spectrum often have trouble adjusting to mainstream social situations, and because they often fidget or make noise, they typically can’t attend live performances. Loud sounds and bright lights might aggravate their symptoms, and their behavior might disturb performers or audience members.

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A new show pushes the boundaries between the circus and the stage

Les 7 Doigts de la Main, the Montreal circus troupe colloquially known as 7 Fingers, makes a point of pushing its virtuosic performers beyond the typical three-ring feats.

Take Traces, which opened earlier this month to rave reviews at the Union Square Theatre. This kinetic production interweaves the expected gasp-worthy acrobatics with self-effacing bits of dialogue, charmingly modest musical interludes, and stylized fisticuffs that make the Jets and Sharks look like coach potatoes.

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Tips for getting the most from FringeNYC

The fifteenth annual FringeNYC festival runs from August 12-28, and as always, it’s a smorgasbord of theatre, dance, comedy, and performance art. With so many shows to choose from, the festival can seem overwhelming, but it doesn’t have to be. Here are some tips on how to become a Fringe expert.

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The Voca People try to reach everyone

How do we define “universal entertainment?” What makes a show reach all generations on every continent?

Plenty of artists are trying to answer those questions. If they succeed, then they can reach millions (and make a fortune in the process).

“It’s like a Coca-Cola formula,” says Lior Kalfo, and he may have brewed the magic potion. An Israeli writer, director, and performer, he’s the co-creator of the international hit Voca People, a “vocal theatre performance” that blends a cappella singing, clowning, and popular music.

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