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	<title>TDF STAGES: A  THEATRE MAGAZINE</title>
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	<link>http://wp.tdf.org</link>
	<description>Your passport to life behind the curtain!</description>
	<lastBuildDate>Fri, 24 May 2013 15:14:36 +0000</lastBuildDate>
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		<title>This Musical Needs It&#8217;s Own Universe</title>
		<link>http://wp.tdf.org/index.php/2013/05/natasha-pierre-1812-mimi-lien/</link>
		<comments>http://wp.tdf.org/index.php/2013/05/natasha-pierre-1812-mimi-lien/#comments</comments>
		<pubDate>Fri, 24 May 2013 15:14:36 +0000</pubDate>
		<dc:creator>Mark Blankenship</dc:creator>
				<category><![CDATA[Design]]></category>
		<category><![CDATA[Musical]]></category>
		<category><![CDATA[Off Broadway]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[design]]></category>
		<category><![CDATA[Feature]]></category>
		<category><![CDATA[Mark Blankenship]]></category>
		<category><![CDATA[matt hubbs]]></category>
		<category><![CDATA[mimi lien]]></category>
		<category><![CDATA[natasha pierre]]></category>

		<guid isPermaLink="false">http://wp.tdf.org/?p=4539</guid>
		<description><![CDATA[As much as any show currently playing in New York, Natasha, Pierre &#38; the Great Comet of 1812 takes place in a separate universe. That&#8217;s partly because writer-composer Dave Malloy has turned a section of Tolstoy&#8217;s War and Peace into an electro-pop opera, inventively blending 19th century Russia with sounds of the modern world. And <a href="http://wp.tdf.org/index.php/2013/05/natasha-pierre-1812-mimi-lien/#more-'" class="more-link">more »</a>]]></description>
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		<item>
		<title>Are Those People Acting or Fighting?</title>
		<link>http://wp.tdf.org/index.php/2013/05/cassavetes-shadows-jack-brooklyn/</link>
		<comments>http://wp.tdf.org/index.php/2013/05/cassavetes-shadows-jack-brooklyn/#comments</comments>
		<pubDate>Thu, 23 May 2013 15:06:51 +0000</pubDate>
		<dc:creator>Eliza Bent</dc:creator>
				<category><![CDATA[Borough Play]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Off Off Broadway]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[borough play]]></category>
		<category><![CDATA[brooklyn]]></category>
		<category><![CDATA[Directing]]></category>
		<category><![CDATA[eliza bent]]></category>
		<category><![CDATA[Feature]]></category>
		<category><![CDATA[jack]]></category>
		<category><![CDATA[playwriting]]></category>

		<guid isPermaLink="false">http://wp.tdf.org/?p=4526</guid>
		<description><![CDATA[Shadows drops audiences in an immersive world &#8212; Welcome to Borough Play, our exclusive series on theatre in Brooklyn, Queens, and beyond. For Alec Duffy, artistic director of the Obie-winning theatre group Hoi Polloi, watching a DVD of John Cassavetes&#8217; Shadows provided a light bulb moment. &#8220;About halfway through watching I was like, &#8216;Damn. This <a href="http://wp.tdf.org/index.php/2013/05/cassavetes-shadows-jack-brooklyn/#more-'" class="more-link">more »</a>]]></description>
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		<title>The Not-So-One-Man &#8220;Macbeth&#8221;</title>
		<link>http://wp.tdf.org/index.php/2013/05/alan-cumming-macbeth-broadway/</link>
		<comments>http://wp.tdf.org/index.php/2013/05/alan-cumming-macbeth-broadway/#comments</comments>
		<pubDate>Tue, 21 May 2013 16:08:41 +0000</pubDate>
		<dc:creator>Linda Buchwald</dc:creator>
				<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[alan cumming]]></category>
		<category><![CDATA[broadawy]]></category>
		<category><![CDATA[Feature]]></category>
		<category><![CDATA[Linda Buchwald]]></category>
		<category><![CDATA[macbeth]]></category>
		<category><![CDATA[Shakespeare]]></category>

		<guid isPermaLink="false">http://wp.tdf.org/?p=4513</guid>
		<description><![CDATA[Why Alan Cumming&#8217;s Co-Stars are Crucial to the Broadway Revival &#8212; The current Broadway revival of Macbeth is often called a one-man show, but that&#8217;s not entirely accurate. Yes, the production takes place in a mental institution where Alan Cumming&#8217;s character reenacts most of the play by himself, but he is not alone. Jenny Sterlin <a href="http://wp.tdf.org/index.php/2013/05/alan-cumming-macbeth-broadway/#more-'" class="more-link">more »</a>]]></description>
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		<title>VIDEO: Meet the York Theatre Company</title>
		<link>http://wp.tdf.org/index.php/2013/05/york-theatre-company-video/</link>
		<comments>http://wp.tdf.org/index.php/2013/05/york-theatre-company-video/#comments</comments>
		<pubDate>Mon, 20 May 2013 16:09:53 +0000</pubDate>
		<dc:creator>Mark Blankenship</dc:creator>
				<category><![CDATA[Meet The Theatre]]></category>
		<category><![CDATA[Musical]]></category>
		<category><![CDATA[Off Broadway]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Feature]]></category>
		<category><![CDATA[Mark Blankenship]]></category>
		<category><![CDATA[meet the theatre]]></category>
		<category><![CDATA[musicals]]></category>
		<category><![CDATA[york]]></category>

		<guid isPermaLink="false">http://wp.tdf.org/?p=4499</guid>
		<description><![CDATA[From time to time, TDF Stages will highlight exciting Off and Off-Off Broadway theatre companies with exclusive “getting to know you” videos. Today, we’re featuring the York Theatre Company, which specializes in musicals new and old. (Along with York staff, the film features Stephen Temperley, whose play Souvenir premiered at the York before moving to <a href="http://wp.tdf.org/index.php/2013/05/york-theatre-company-video/#more-'" class="more-link">more »</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Learning &#8220;Murder&#8221; Fast</title>
		<link>http://wp.tdf.org/index.php/2013/05/murder-ballad-union-square-caissie-levy/</link>
		<comments>http://wp.tdf.org/index.php/2013/05/murder-ballad-union-square-caissie-levy/#comments</comments>
		<pubDate>Fri, 17 May 2013 19:43:00 +0000</pubDate>
		<dc:creator>Mark Blankenship</dc:creator>
				<category><![CDATA[Building Character]]></category>
		<category><![CDATA[Musical]]></category>
		<category><![CDATA[Off Broadway]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[buidling character]]></category>
		<category><![CDATA[caissie levy]]></category>
		<category><![CDATA[Feature]]></category>
		<category><![CDATA[Mark Blankenship]]></category>
		<category><![CDATA[murder ballad]]></category>
		<category><![CDATA[Off Off Broadway]]></category>

		<guid isPermaLink="false">http://wp.tdf.org/?p=4492</guid>
		<description><![CDATA[Caissie Levy hurtles into the revival of Murder Ballad &#8211; Welcome to Building Character, TDF&#8217;s ongoing series about actors and how they create their roles It&#8217;s almost necessary to describe Murder Ballad with urgent words. A rock opera about a love triangle that ends in blood, it hurtles forward like a bullet. With book and <a href="http://wp.tdf.org/index.php/2013/05/murder-ballad-union-square-caissie-levy/#more-'" class="more-link">more »</a>]]></description>
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		</item>
		<item>
		<title>Is Walt Disney in Charge of This Play?</title>
		<link>http://wp.tdf.org/index.php/2013/05/walt-disney-play-soho-rep-lucas-hnath/</link>
		<comments>http://wp.tdf.org/index.php/2013/05/walt-disney-play-soho-rep-lucas-hnath/#comments</comments>
		<pubDate>Thu, 16 May 2013 14:48:21 +0000</pubDate>
		<dc:creator>Mark Blankenship</dc:creator>
				<category><![CDATA[Off Off Broadway]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Feature]]></category>
		<category><![CDATA[Mark Blankenship]]></category>
		<category><![CDATA[Playwrights]]></category>
		<category><![CDATA[playwriting]]></category>

		<guid isPermaLink="false">http://wp.tdf.org/?p=4479</guid>
		<description><![CDATA[Lucas Hnath&#8217;s experimental new drama explores chaos and control via the Magic Kingdom &#8212; It seems so easy to get a handle on A Public Reading of an Unproduced Screenplay About the Death of Walt Disney, the new play by Lucas Hnath that&#8217;s now at Soho Rep. After all, the story is right there in <a href="http://wp.tdf.org/index.php/2013/05/walt-disney-play-soho-rep-lucas-hnath/#more-'" class="more-link">more »</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>You&#8217;re Bored? Good.</title>
		<link>http://wp.tdf.org/index.php/2013/05/youre-bored-good/</link>
		<comments>http://wp.tdf.org/index.php/2013/05/youre-bored-good/#comments</comments>
		<pubDate>Tue, 14 May 2013 16:16:04 +0000</pubDate>
		<dc:creator>Mark Peikert</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Directing]]></category>
		<category><![CDATA[documentary theatre]]></category>
		<category><![CDATA[Feature]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Off Off Broadway]]></category>
		<category><![CDATA[Producing]]></category>

		<guid isPermaLink="false">http://wp.tdf.org/?p=4475</guid>
		<description><![CDATA[&#8220;City Council Meeting&#8221; asks what we want from theatre and from government Boredom may not be a new sensation for theatregoers, but intentional boredom is a rarer bird. That&#8217;s what&#8217;s created in City Council Meeting, a theatrical event devised by Mallory Catlett, Jim Findlay, and Aaron Landsman. Presented for free by HERE, the concept of <a href="http://wp.tdf.org/index.php/2013/05/youre-bored-good/#more-'" class="more-link">more »</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>There&#8217;s a Bullfight in the Office</title>
		<link>http://wp.tdf.org/index.php/2013/05/theres-a-bullfight-in-the-office/</link>
		<comments>http://wp.tdf.org/index.php/2013/05/theres-a-bullfight-in-the-office/#comments</comments>
		<pubDate>Mon, 13 May 2013 16:16:48 +0000</pubDate>
		<dc:creator>Doug Strassler</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Off Off Broadway]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[Directing]]></category>
		<category><![CDATA[Feature]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Playwrights]]></category>
		<category><![CDATA[playwriting]]></category>
		<category><![CDATA[Producing]]></category>

		<guid isPermaLink="false">http://wp.tdf.org/?p=4470</guid>
		<description><![CDATA[The Unusual Staging of Mike Bartlett&#8217;s &#8220;Bull&#8221; The title of Bull, Mike Bartlett&#8217;s latest play, has a double meaning. On one level, it&#8217;s shorthand for &#8220;bullying,&#8221; which is the central motif of a story about adults behaving like children in the workplace. Now playing at 59E59 as part of the Brits Off Broadway Festival, the <a href="http://wp.tdf.org/index.php/2013/05/theres-a-bullfight-in-the-office/#more-'" class="more-link">more »</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Video: Meet Transport Group theatre</title>
		<link>http://wp.tdf.org/index.php/2013/05/transport-group-meet-the-theatre-video/</link>
		<comments>http://wp.tdf.org/index.php/2013/05/transport-group-meet-the-theatre-video/#comments</comments>
		<pubDate>Fri, 10 May 2013 16:11:24 +0000</pubDate>
		<dc:creator>Mark Blankenship</dc:creator>
				<category><![CDATA[Meet The Theatre]]></category>
		<category><![CDATA[Off Broadway]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Feature]]></category>
		<category><![CDATA[Mark Blankenship]]></category>
		<category><![CDATA[meet the theatre]]></category>
		<category><![CDATA[musicals]]></category>
		<category><![CDATA[transport group]]></category>

		<guid isPermaLink="false">http://wp.tdf.org/?p=4461</guid>
		<description><![CDATA[From time to time, TDF Stages will highlight exciting Off and Off-Off Broadway theatre companies with exclusive &#8220;getting to know you&#8221; videos. Today, we&#8217;re featuring Transport Group, which tells rich American stories with striking visual panache. Watch the rest of our Meet the Theatre Videos right here! This video was directed by Mark Blankenship, TDF&#8217;s <a href="http://wp.tdf.org/index.php/2013/05/transport-group-meet-the-theatre-video/#more-'" class="more-link">more »</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Let&#8217;s Cast the Woman at the Laundromat</title>
		<link>http://wp.tdf.org/index.php/2013/05/600-highwaymen-everyone-was-chanting-your-name/</link>
		<comments>http://wp.tdf.org/index.php/2013/05/600-highwaymen-everyone-was-chanting-your-name/#comments</comments>
		<pubDate>Thu, 09 May 2013 15:20:02 +0000</pubDate>
		<dc:creator>Eliza Bent</dc:creator>
				<category><![CDATA[Borough Play]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Off Off Broadway]]></category>
		<category><![CDATA[Producing]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[600 highwaymen]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[borough play]]></category>
		<category><![CDATA[brooklyn]]></category>
		<category><![CDATA[eliza bent]]></category>
		<category><![CDATA[Feature]]></category>

		<guid isPermaLink="false">http://wp.tdf.org/?p=4455</guid>
		<description><![CDATA[600 Highwaymen Find Actors in Unconventional Places Welcome to Borough Play, our exclusive series on theatre in Brooklyn, Queens, and beyond &#8212; When they&#8217;re looking for actors, Abigail Browde and Michael Silverstone, the couple and co-artistic directors behind the Brooklyn-based theatre company 600 Highwaymen, travel far beyond a typical audition room. They see potential actors <a href="http://wp.tdf.org/index.php/2013/05/600-highwaymen-everyone-was-chanting-your-name/#more-'" class="more-link">more »</a>]]></description>
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