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	<title>TDF STAGES: A  THEATRE MAGAZINE</title>
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		<item>
		<title>Video: Behind the Scenes of the Autism-Friendly &#8220;Mary Poppins&#8221;</title>
		<link>http://wp.tdf.org/index.php/2012/05/video-autism-friendly-mary-poppins-broadway/</link>
		<comments>http://wp.tdf.org/index.php/2012/05/video-autism-friendly-mary-poppins-broadway/#comments</comments>
		<pubDate>Tue, 15 May 2012 15:05:27 +0000</pubDate>
		<dc:creator>Mark Blankenship</dc:creator>
				<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Musical]]></category>
		<category><![CDATA[TDF News]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[broadway autism]]></category>
		<category><![CDATA[Feature]]></category>

		<guid isPermaLink="false">http://wp.tdf.org/?p=3145</guid>
		<description><![CDATA[How does the theatre look when TDF presents an autism-friendly performance of a Broadway show? What&#8217;s added to the lobby? What&#8217;s different on stage? To find out, watch this behind-the-scenes video from an autism-friendly performance of Mary Poppins, sponsored by TDF&#8217;s Autism Theatre Initiative. Share this with a friend:]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Cedar Lake Finally Dances in New York</title>
		<link>http://wp.tdf.org/index.php/2012/05/cedar-lake-contermporary-ballet-joyce/</link>
		<comments>http://wp.tdf.org/index.php/2012/05/cedar-lake-contermporary-ballet-joyce/#comments</comments>
		<pubDate>Mon, 14 May 2012 16:30:32 +0000</pubDate>
		<dc:creator>Emeri Fetzer</dc:creator>
				<category><![CDATA[Dance]]></category>
		<category><![CDATA[Off Broadway]]></category>
		<category><![CDATA[Producing]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Ballet]]></category>
		<category><![CDATA[Choreography]]></category>
		<category><![CDATA[Feature]]></category>
		<category><![CDATA[Interview]]></category>

		<guid isPermaLink="false">http://wp.tdf.org/?p=3134</guid>
		<description><![CDATA[Inside the company&#8217;s ambitious spring season For a year and a half, Cedar Lake Contemporary Ballet has performed almost everywhere but New York City. But from May 15-27 they are back at the Joyce Theater with two programs. They&#8217;ll feature six pieces by six different choreographers, five NYC premieres, and one world premiere. Ana-Maria Lucaciu, [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Choose-Your-Own-Adventure Theatre</title>
		<link>http://wp.tdf.org/index.php/2012/05/choose-your-own-adventure-theatre/</link>
		<comments>http://wp.tdf.org/index.php/2012/05/choose-your-own-adventure-theatre/#comments</comments>
		<pubDate>Fri, 11 May 2012 15:17:46 +0000</pubDate>
		<dc:creator>Doug Strassler</dc:creator>
				<category><![CDATA[comedy]]></category>
		<category><![CDATA[Off Off Broadway]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[doug strassler]]></category>
		<category><![CDATA[Feature]]></category>

		<guid isPermaLink="false">http://wp.tdf.org/?p=3129</guid>
		<description><![CDATA[&#8220;Die&#8221; Relies on Fate to Tell a Story &#8212; The thrill of live theatre is that anything can happen on a given night, and that concept is pushed to the extreme by Die: Roll to Proceed, a comedy running on Friday nights at the East Village&#8217;s Red Room. Written by Joe Kurtz and developed and [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>David Rabe Opens Up</title>
		<link>http://wp.tdf.org/index.php/2012/05/david-rabe-an-early-history-of-fire/</link>
		<comments>http://wp.tdf.org/index.php/2012/05/david-rabe-an-early-history-of-fire/#comments</comments>
		<pubDate>Wed, 09 May 2012 19:39:31 +0000</pubDate>
		<dc:creator>Randy Gener</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[comedy]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Off Broadway]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Directing]]></category>
		<category><![CDATA[Feature]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Playwrights]]></category>
		<category><![CDATA[Producing]]></category>

		<guid isPermaLink="false">http://wp.tdf.org/?p=3093</guid>
		<description><![CDATA[How He Changed the Soul of &#8220;An Early History of Fire&#8221; The play swerved. It veered into a different path. Once the New Group greenlit David Rabe&#8217;s script for production, seven years of slow, dedicated work went out the window. In fact, if you consider the stop-and-go motion by which Rabe typically crafts his plays, [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>How Lighting Tells a Broadway Story</title>
		<link>http://wp.tdf.org/index.php/2012/05/natasha-katz-lighting-once-follies-broadway/</link>
		<comments>http://wp.tdf.org/index.php/2012/05/natasha-katz-lighting-once-follies-broadway/#comments</comments>
		<pubDate>Tue, 08 May 2012 17:04:16 +0000</pubDate>
		<dc:creator>Mark Blankenship</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Design]]></category>
		<category><![CDATA[Musical]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Feature]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Mark Blankenship]]></category>
		<category><![CDATA[Producing]]></category>
		<category><![CDATA[Theatre Design]]></category>
		<category><![CDATA[tony awards]]></category>

		<guid isPermaLink="false">http://wp.tdf.org/?p=3078</guid>
		<description><![CDATA[Designer Natasha Katz explains her work for &#8220;Once&#8221; and &#8220;Follies&#8221; Natasha Katz tells stories with light. When she makes a shadow strike an actor&#8217;s face, or when she beams color across a wall, she changes our understanding of what&#8217;s happening on stage. Katz&#8217;s colleagues clearly like her storytelling. She&#8217;s won two Tony Awards, and this [...]]]></description>
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		<title>Building Character: Michael McGrath</title>
		<link>http://wp.tdf.org/index.php/2012/05/building-character-michael-mcgrath/</link>
		<comments>http://wp.tdf.org/index.php/2012/05/building-character-michael-mcgrath/#comments</comments>
		<pubDate>Mon, 07 May 2012 16:01:16 +0000</pubDate>
		<dc:creator>Raven Snook</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Building Character]]></category>
		<category><![CDATA[comedy]]></category>
		<category><![CDATA[Dance]]></category>
		<category><![CDATA[Musical]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[Composers]]></category>
		<category><![CDATA[Feature]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Playwrights]]></category>
		<category><![CDATA[Producing]]></category>
		<category><![CDATA[tony awards]]></category>

		<guid isPermaLink="false">http://wp.tdf.org/?p=3073</guid>
		<description><![CDATA[The Tony Nominee gets old-time laughs in Nice Work if You Can Get It Welcome to Building Character, TDF Stages&#8217; ongoing series about actors and how they create their roles His name may not be above the title, but judging by the curtain call applause, Michael McGrath is a major force in Nice Work if [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>How Does an Actor Make Farce Work?</title>
		<link>http://wp.tdf.org/index.php/2012/05/how-does-an-actor-make-farce-work/</link>
		<comments>http://wp.tdf.org/index.php/2012/05/how-does-an-actor-make-farce-work/#comments</comments>
		<pubDate>Fri, 04 May 2012 15:28:20 +0000</pubDate>
		<dc:creator>Mark Blankenship</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[comedy]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[Directing]]></category>
		<category><![CDATA[Feature]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Mark Blankenship]]></category>
		<category><![CDATA[Playwrights]]></category>

		<guid isPermaLink="false">http://wp.tdf.org/?p=3065</guid>
		<description><![CDATA[Ben Daniels rides the rhythm of &#8220;Don&#8217;t Dress for Dinner&#8221; When you&#8217;re watching a farce, you don&#8217;t have to pretend the show is real. There&#8217;s enormous pleasure in discovering how the show is built&#8212;in seeing this mistaken identity lead to that bit of dialogue, which makes this character scream that line before running through the [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Can a Team Write a New Musical in Just One Summer?</title>
		<link>http://wp.tdf.org/index.php/2012/05/sf-1/</link>
		<comments>http://wp.tdf.org/index.php/2012/05/sf-1/#comments</comments>
		<pubDate>Thu, 03 May 2012 15:04:24 +0000</pubDate>
		<dc:creator>Mark Blankenship</dc:creator>
				<category><![CDATA[Musical]]></category>
		<category><![CDATA[Regional Theatre]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[breaking character]]></category>
		<category><![CDATA[Feature]]></category>
		<category><![CDATA[samuel french]]></category>

		<guid isPermaLink="false">http://wp.tdf.org/?p=3050</guid>
		<description><![CDATA[I&#8217;m delighted to announce a new collaboration with Samuel French, Inc., one of the world&#8217;s leading play publishers. From time to time, TDF Stages will exchange articles with Samuel French&#8217;s new online theatre magazine, [Breaking Character]. Because [Breaking Character] reports on theatre from around the country, this partnership will expand TDF Stage&#8217;s conversation about the [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Building Character: Jeremy Shamos</title>
		<link>http://wp.tdf.org/index.php/2012/05/jeremy-shamos-clybourne-park/</link>
		<comments>http://wp.tdf.org/index.php/2012/05/jeremy-shamos-clybourne-park/#comments</comments>
		<pubDate>Wed, 02 May 2012 15:52:19 +0000</pubDate>
		<dc:creator>Eric Grode</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Building Character]]></category>
		<category><![CDATA[comedy]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[Casting]]></category>
		<category><![CDATA[Feature]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Playwrights]]></category>
		<category><![CDATA[Producing]]></category>

		<guid isPermaLink="false">http://wp.tdf.org/?p=3047</guid>
		<description><![CDATA[Inside the actor&#8217;s Tony-nominated performance in &#8220;Clybourne Park&#8221; Welcome to Building Character, TDF Stages&#8217; ongoing series about actors and how they create their roles You can soak up the transgressive, expertly choreographed chaos of Clybourne Park, now on Broadway at the Walter Kerr, without noticing its nods to a certain classic of 20th-century theatre. But [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Olivia Thirlby takes the lead</title>
		<link>http://wp.tdf.org/index.php/2012/04/olivia-thirlby-off-broadway/</link>
		<comments>http://wp.tdf.org/index.php/2012/04/olivia-thirlby-off-broadway/#comments</comments>
		<pubDate>Mon, 30 Apr 2012 18:09:57 +0000</pubDate>
		<dc:creator>Lonnie Firestone</dc:creator>
				<category><![CDATA[Off Broadway]]></category>
		<category><![CDATA[Producing]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[Feature]]></category>
		<category><![CDATA[Interview]]></category>

		<guid isPermaLink="false">http://wp.tdf.org/?p=3040</guid>
		<description><![CDATA[The actress stars as a blind corporate climber in &#8220;Lonely, I&#8217;m not&#8221; Olivia Thirlby is mostly known for her girlish likeability in films like Juno and The Wackness, but when she strides on stage in Lonely, I&#8217;m Not, the new Paul Weitz play at Second Stage, it&#8217;s clear she&#8217;s nobody&#8217;s sweetheart. Thirlby plays Heather, a [...]]]></description>
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