<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>TDF STAGES: A  THEATRE MAGAZINE</title>
	<atom:link href="http://wp.tdf.org/index.php/feed/" rel="self" type="application/rss+xml" />
	<link>http://wp.tdf.org</link>
	<description></description>
	<lastBuildDate>Fri, 03 Feb 2012 18:50:41 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.1.2</generator>
		<item>
		<title>A Little Bit Noh, A Little Bit Musical Theatre</title>
		<link>http://wp.tdf.org/index.php/2012/02/a-little-bit-noh-a-little-bit-musical-theatre/</link>
		<comments>http://wp.tdf.org/index.php/2012/02/a-little-bit-noh-a-little-bit-musical-theatre/#comments</comments>
		<pubDate>Fri, 03 Feb 2012 18:49:44 +0000</pubDate>
		<dc:creator>Mark Blankenship</dc:creator>
				<category><![CDATA[Musical]]></category>
		<category><![CDATA[Off Broadway]]></category>
		<category><![CDATA[Producing]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Composers]]></category>
		<category><![CDATA[Directing]]></category>
		<category><![CDATA[Feature]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Mark Blankenship]]></category>
		<category><![CDATA[Playwrights]]></category>

		<guid isPermaLink="false">http://wp.tdf.org/?p=2737</guid>
		<description><![CDATA[&#8220;Tokio Confidential&#8217;s&#8221; unlikely combination of styles You see all kinds of theatre in New York, but you don&#8217;t see that much Noh, the classical Japanese form that uses ritualized music, movement, and costumes to depict warriors, ghosts, and other epic folk. Playwrights like Brecht and O&#8217;Neill have been intoxicated by Noh and incorporated elements of [...]]]></description>
		<wfw:commentRss>http://wp.tdf.org/index.php/2012/02/a-little-bit-noh-a-little-bit-musical-theatre/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Deeper Truths in a Real-Life Scandal</title>
		<link>http://wp.tdf.org/index.php/2012/02/the-deeper-truths-in-a-real-life-scandal/</link>
		<comments>http://wp.tdf.org/index.php/2012/02/the-deeper-truths-in-a-real-life-scandal/#comments</comments>
		<pubDate>Thu, 02 Feb 2012 16:40:23 +0000</pubDate>
		<dc:creator>Laura Hedli</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Off Broadway]]></category>
		<category><![CDATA[Producing]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Directing]]></category>
		<category><![CDATA[documentary theatre]]></category>
		<category><![CDATA[Feature]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Playwrights]]></category>

		<guid isPermaLink="false">http://wp.tdf.org/?p=2726</guid>
		<description><![CDATA[&#8220;CQ/CX&#8221; mines the metaphors in Jayson Blair&#8217;s story In his incendiary interview with The New York Observer, Jayson Blair is quoted as saying: &#8220;So Jayson Blair the human being could live, Jayson Blair the journalist had to die.&#8221; For Gabe McKinley, a similar scenario was true as he wrote CQ/CX, now playing at the Peter [...]]]></description>
		<wfw:commentRss>http://wp.tdf.org/index.php/2012/02/the-deeper-truths-in-a-real-life-scandal/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Making &#8220;Wit&#8221; Work</title>
		<link>http://wp.tdf.org/index.php/2012/01/making-wit-work/</link>
		<comments>http://wp.tdf.org/index.php/2012/01/making-wit-work/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 19:36:25 +0000</pubDate>
		<dc:creator>Mark Blankenship</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Producing]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[Directing]]></category>
		<category><![CDATA[Feature]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Mark Blankenship]]></category>
		<category><![CDATA[Playwrights]]></category>

		<guid isPermaLink="false">http://wp.tdf.org/?p=2718</guid>
		<description><![CDATA[Director Lynne Meadow juggles laughter and tears in a play about cancer, life, and death In retrospect, it&#8217;s a very strange place for a laugh. Near the end of Margaret Edson&#8217;s Wit, the 1999 Pulitzer Prize-winning play now making its Broadway debut with Manhattan Theater Club, Vivian Bearing is just a few heartbeats from death. We&#8217;ve [...]]]></description>
		<wfw:commentRss>http://wp.tdf.org/index.php/2012/01/making-wit-work/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Same Songs, New &#8220;Myths and Hymns&#8221;</title>
		<link>http://wp.tdf.org/index.php/2012/01/same-songs-new-myths-and-hymns/</link>
		<comments>http://wp.tdf.org/index.php/2012/01/same-songs-new-myths-and-hymns/#comments</comments>
		<pubDate>Mon, 30 Jan 2012 22:36:11 +0000</pubDate>
		<dc:creator>Mark Blankenship</dc:creator>
				<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Musical]]></category>
		<category><![CDATA[Off Off Broadway]]></category>
		<category><![CDATA[Producing]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Composers]]></category>
		<category><![CDATA[Directing]]></category>
		<category><![CDATA[Feature]]></category>
		<category><![CDATA[Mark Blankenship]]></category>

		<guid isPermaLink="false">http://wp.tdf.org/?p=2712</guid>
		<description><![CDATA[Reimagining Adam Guettel&#8217;s beloved song cycle Myths and Hymns is practically begging to be interpreted and reinterpreted on stage. Written by composer-lyricist Adam Guettel (The Light in the Piazza, Floyd Collins), it&#8217;s a song cycle that uses mythology, religious allusions, and the lyrics to classic hymns to explore massive themes like ambition, love, and death. [...]]]></description>
		<wfw:commentRss>http://wp.tdf.org/index.php/2012/01/same-songs-new-myths-and-hymns/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Reinventing &#8220;Look Back in Anger&#8221;</title>
		<link>http://wp.tdf.org/index.php/2012/01/reinventing-look-back-in-anger/</link>
		<comments>http://wp.tdf.org/index.php/2012/01/reinventing-look-back-in-anger/#comments</comments>
		<pubDate>Fri, 27 Jan 2012 17:19:49 +0000</pubDate>
		<dc:creator>Mark Blankenship</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Off Broadway]]></category>
		<category><![CDATA[Producing]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Directing]]></category>
		<category><![CDATA[Feature]]></category>
		<category><![CDATA[Mark Blankenship]]></category>
		<category><![CDATA[Playwrights]]></category>

		<guid isPermaLink="false">http://wp.tdf.org/?p=2708</guid>
		<description><![CDATA[Sam Gold challenges expectations of the classic play It&#8217;s tempting to dismiss Look Back In Anger, to say, &#8220;I get it. Realism. Kitchen sink. Angry young man.&#8221; But with his current revival at the Roundabout&#8217;s Laura Pels Theatre, director Sam Gold wants to blow those assumptions apart. That&#8217;s only fitting, since John Osborne&#8217;s play has [...]]]></description>
		<wfw:commentRss>http://wp.tdf.org/index.php/2012/01/reinventing-look-back-in-anger/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Building Character: Janeane Garofalo</title>
		<link>http://wp.tdf.org/index.php/2012/01/building-character-janeane-garofalo/</link>
		<comments>http://wp.tdf.org/index.php/2012/01/building-character-janeane-garofalo/#comments</comments>
		<pubDate>Wed, 25 Jan 2012 18:28:44 +0000</pubDate>
		<dc:creator>Mark Blankenship</dc:creator>
				<category><![CDATA[Building Character]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Off Broadway]]></category>
		<category><![CDATA[Producing]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Directing]]></category>
		<category><![CDATA[Feature]]></category>
		<category><![CDATA[Mark Blankenship]]></category>
		<category><![CDATA[Playwrights]]></category>

		<guid isPermaLink="false">http://wp.tdf.org/?p=2703</guid>
		<description><![CDATA[The actress fights her impulses in The New Group&#8217;s latest play &#8212; Welcome to Building Character, TDF Stages&#8217; ongoing series about actors and how they create their roles &#8212; She&#8217;s a character you want to shake some sense into. As she moves through Russian Transport, Erika Sheffer&#8217;s world premiere play at the New Group, Diana [...]]]></description>
		<wfw:commentRss>http://wp.tdf.org/index.php/2012/01/building-character-janeane-garofalo/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>A Pillar of the (Irish Rep) Community</title>
		<link>http://wp.tdf.org/index.php/2012/01/a-pillar-of-the-irish-rep-community/</link>
		<comments>http://wp.tdf.org/index.php/2012/01/a-pillar-of-the-irish-rep-community/#comments</comments>
		<pubDate>Mon, 23 Jan 2012 18:03:42 +0000</pubDate>
		<dc:creator>Eric Grode</dc:creator>
				<category><![CDATA[Design]]></category>
		<category><![CDATA[Off Broadway]]></category>
		<category><![CDATA[Producing]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[comedy]]></category>
		<category><![CDATA[Directing]]></category>
		<category><![CDATA[Feature]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Playwrights]]></category>
		<category><![CDATA[Theatre Design]]></category>

		<guid isPermaLink="false">http://wp.tdf.org/?p=2699</guid>
		<description><![CDATA[A theatre makes an asset of its unusual space Actors have clambered up it. Paintings have hung on it, as have flags and bunting. It has been a fence post, a ship mast, a tiny house and (on numerous occasions) a tree. No matter what it is, though, the pillar looming in the downstage right [...]]]></description>
		<wfw:commentRss>http://wp.tdf.org/index.php/2012/01/a-pillar-of-the-irish-rep-community/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How &#8220;Leo&#8221; Walks on Walls</title>
		<link>http://wp.tdf.org/index.php/2012/01/how-leo-walks-on-walls/</link>
		<comments>http://wp.tdf.org/index.php/2012/01/how-leo-walks-on-walls/#comments</comments>
		<pubDate>Thu, 19 Jan 2012 18:49:15 +0000</pubDate>
		<dc:creator>Mark Blankenship</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[comedy]]></category>
		<category><![CDATA[Family]]></category>
		<category><![CDATA[Off Off Broadway]]></category>
		<category><![CDATA[Producing]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Choreography]]></category>
		<category><![CDATA[Circus]]></category>
		<category><![CDATA[Directing]]></category>
		<category><![CDATA[Feature]]></category>
		<category><![CDATA[Mark Blankenship]]></category>

		<guid isPermaLink="false">http://wp.tdf.org/?p=2695</guid>
		<description><![CDATA[&#160; Inside the acrobatic magic of the award-winning show Even if it delivered nothing but acrobatics, Leo would be a striking piece of theatre. The show, which won the Best of Edinburgh Award at the Edinburgh Fringe and is now being presented at Theatre Row, exists to make our jaws drop, to make us question [...]]]></description>
		<wfw:commentRss>http://wp.tdf.org/index.php/2012/01/how-leo-walks-on-walls/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Dancer Becomes the Choreographer</title>
		<link>http://wp.tdf.org/index.php/2012/01/the-dancer-becomes-the-choreographer/</link>
		<comments>http://wp.tdf.org/index.php/2012/01/the-dancer-becomes-the-choreographer/#comments</comments>
		<pubDate>Tue, 17 Jan 2012 19:07:03 +0000</pubDate>
		<dc:creator>Lauren Kay</dc:creator>
				<category><![CDATA[Dance]]></category>
		<category><![CDATA[Off Broadway]]></category>
		<category><![CDATA[Producing]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Ballet]]></category>
		<category><![CDATA[Choreography]]></category>
		<category><![CDATA[Feature]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Lauren Kay]]></category>

		<guid isPermaLink="false">http://wp.tdf.org/?p=2689</guid>
		<description><![CDATA[How Kate Skarpetowska created striking dances of her own Buoyant, vivid movement; sensual partnering; and relatable themes have made Parsons Dance a New York staple since 1985. With his stable of sexy, muscular dancers, founder David Parsons has crafted 50 trademark works, often including of-the-moment elements like contemporary rock music. Through January 22nd at the [...]]]></description>
		<wfw:commentRss>http://wp.tdf.org/index.php/2012/01/the-dancer-becomes-the-choreographer/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How to Make an Audience Question Reality</title>
		<link>http://wp.tdf.org/index.php/2012/01/how-to-make-an-audience-question-reality/</link>
		<comments>http://wp.tdf.org/index.php/2012/01/how-to-make-an-audience-question-reality/#comments</comments>
		<pubDate>Thu, 12 Jan 2012 20:43:43 +0000</pubDate>
		<dc:creator>Mark Blankenship</dc:creator>
				<category><![CDATA[Design]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Off Off Broadway]]></category>
		<category><![CDATA[Producing]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Directing]]></category>
		<category><![CDATA[documentary theatre]]></category>
		<category><![CDATA[Feature]]></category>
		<category><![CDATA[Mark Blankenship]]></category>
		<category><![CDATA[Playwrights]]></category>

		<guid isPermaLink="false">http://wp.tdf.org/?p=2679</guid>
		<description><![CDATA[&#8220;Chimera&#8221; suggests many worlds on one stage Chimera only needs a minute to make you question your grasp on reality. The multimedia show&#8212;which was developed by HERE, where it is now being presented in conjunction with the Under the Radar Festival&#8212;opens with a pleasant-looking woman in a sparkling white outfit and green sneakers. She&#8217;s got [...]]]></description>
		<wfw:commentRss>http://wp.tdf.org/index.php/2012/01/how-to-make-an-audience-question-reality/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>

